From under the bed

The chance to exhibit in an exhibition called “Plein Air & Land Art” at The Workers Gallery, Ynyshir led me to revisit some of the work on organdie that I had made some time ago that had been shown outdoors

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In amongst the grasses

Called “Last Summer, in amongst the grasses” it was phorgraphed along the side of a footpath. It went on to be placed at the end of my garden where it remained for several months despite rain and snow.OLYMPUS DIGITAL CAMERA
The cloth was unaffected by its ‘weathering’, just a quick press to bring back the crispness before it was used again. The colour, a mixture of acrylic paint and Procion dye was similarly unchanged.

 

 

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Showing work at Chapel Arts gallery with the Gloucestershire Guild of Craftsmen in Cheltenham until Christmas Eve

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Starting again

Such a long time since I have used my blog , a lot has happened, but now I feel ready to share some of my thoughts and images.

we had snow

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Thinking about the use of stitch

Thinking about the use of stitch

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Stitch, whether by hand or machine is a vital element in my making process. It is not used as a decorative device but as an integral drawing and mark making tool to articulate form and meaning as well as create a dynamic textured surface.

Stitch is the means of embedding narrative into the surface of the cloth and of articulating the maker’s voice. It can refer to transitory moments of observation and reflection .Stitch can suggest calm,be ‘haptic’ in nature; but can also be vital, alive, raw, opinionated  The calligraphic effect of the stitch mark suggests the narrative and the rhythm. The sewing machine makes fine freely drawn lines which can be manipulated by change of stitch length and tension to alter the structure of the surface of the cloth. Hand stitch might puncture the cloth surface, suggest movement. It takes the viewers eye across the surface of the cloth, involves them in the story the cloth is telling.

Rhythm is an important factor both in the putting together of pieces of cloth and the mark making whether with brush or stitch. I see the movement of thread and cloth  as analogous to moving through the landscape.

Artist Victor Pasmore wrote: “As the rhythmic divisions of time and sound in music find an echo in the deepest recesses of the mind, so do the spaces, the tones and the colours of painting.”  For me also.

 

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Stitching into paper is a different experience to working with the more pliable quality of cloth. It needs care but also physical pressure to pierce the paper, to pull the thread through. One is very aware of the process.

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stitch on paper

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puddles

2013-01-29 08.55.49Tuesday morning down the track, looking at the puddles more like a lake. Lines of stalks making patterns on the surface. Able to go to the studio where I set up a surface on which to work. Papers roughly stitched together were painted with gesso.

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Now to think about marks; stitches dynamic, vigorous, with thread, cloth, paper?            Add colour? Keep the image in my head and explore.

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